Granted, Corey Taylor might reveal that his distorted ranting in the track actually is the deepest lyric he’s ever written for Slipknot, but we doubt it. The opening interlude of 2008’s All Hope Is Gone has interesting aspects with its swelling feedback and closing drum freak-out…but it’s very much just an interlude, an appetizer with which to make the listener hungrier for the record. In any event, it’s a fine interlude, but nothing too exciting. It’s not exactly clear what Slipknot were trying to accomplish with this interlude track from We Are Not Your Kind, but there’s not much here besides a lead into “Spiders.” This is the recurring theme of the in-between moments of the album - an attempt to connect songs with bits of melody that may not have made it onto the album otherwise. “What’s Next” ( We Are Not Your Kind, 2019) They’re fine, but don’t really add anything to the Slipknot conversation, and no one track is truly better than the others, so they land at the bottom of this list, in the same slot.ĩ3. 5: The Gray Chapter are what they say on the label - one’s silent, one’s a bunch of ambient noise with talking behind it, and one’s kind of a weird polka performance that’s pretty funny. Here’s every Slipknot song, in order of how much they throttled our world. Repeat., because the band now considers it more of a demo, and because the songs thereon were mostly recycled into material on their other studio releases.
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The only caveat is that we left off 1996’s Mate. Below, we’ve ranked every single Slipknot track from worst to best, right down to the between-song interludes. Since today marks the anniversary of the band releasing their career-changing sophomore album Iowa, we decided to go all-in and do a list as massive as Slipknot itself. Plenty of bands come and go - even bands with masks and gimmicks - but these nine dues from Des Moines, Iowa, have remained relevant, interesting, and huge since they were first unleashed from America’s heartland in the late ’90s. But it’s undeniable that their mixture of theatricality, dysfunction, and loud-as-fuck extreme music has changed metal’s sound, ethos, and public image in more ways than any other artist in the genre over the last 20 years.
![stone sour discography kickass stone sour discography kickass](https://losslessclub.com/attachs/torrent_11391_pic.jpg)
Sure, they may not technically be the biggest, or loudest, or the most brutal. Let’s be real: Slipknot are probably the most important metal band of the past two decades.